Mondays, 7 -9 pm. September 21, 28, October 5, 19, 26, November 2 (6 sessions. No class on Thanksgiving Monday).
$153 Members /$180 non-members
To learn more about Brie and her work, please visit:
https://www.buttonfactoryarts.ca/mckenzie
Always loved a good short story? Then why not come and learn how to write one in a friendly and supportive environment? In the course, we will look at the core elements of a short story and cover all aspects of writing one, including how to generate story ideas, develop strong characters and create a plot that will keep your readers glued to the page.
Students are asked to bring their own writing materials, whether electronic or pen and paper.
Please note:
With 2 or more weeks notice, we deduct 10% payment processing servicing fees from the total amount refunded or offer store credit with no deductions.
Mondays, 7 - 9 pm. September 21, 28, October 5, 19, 26 (5 sessions. No class on Thanksgiving Monday)
$127.50 Members / $150 Non-Members + $25 materials fee
Have you ever wanted to get better at creating your own unique composition, or figure out how to put together a great colour scheme for a piece? In this 6 week course you will learn important art fundamentals including colour theory, elements and principles of design, light and shadow, composition, as well as other tips and tricks. Each week we will work with different mediums to help create small pieces that capture the concepts we're learning. Let's get back to basics and bring new life to your work!
Materials are provided, but we suggest bringing a notebook or sketchbook and some pencils along!
Tuesdays, 10:30 am - 12:30 pm. September 22, 29, October 6, 13, 20, 27 (6 weeks)
$153 Members / $180 Non-Members
To learn more about Anne and her work, please visit:
https://www.buttonfactoryarts.ca/williamson
Please note: Students supply the materials for their course- see Supplies List below description:
Rocks, stones and water are an integral part of Canadian landscapes. In this course we will look closely at the shore and use a variety of techniques to capture the texture, smoothness and shadows of rocks and stones at the water's edge.
Supplies List:
Student grade acrylic paint (Amsterdam, Liqutex) in the following colours: yellow ochre, ultramarine blue, titanium white, burnt umber, cadmium red, raw sienna and burnt sienna (Please avoid craft paint)
Square Canvas (14x14") and practice paper
1/2 and 1/4 inch flat brush and whatever brushes you may have
Disposable paper palette
Tuesdays, 1:30 - 3:30 pm. September 22, 29, October 6, 13, 20, 27 (6 weeks)
$153 Members /$180 Non-Members
To learn more about Terry and his work, please visit:
https://www.buttonfactoryarts.ca/torra
Good drawing skills are important because they not only create art works in their own right but will help improve your work in other 2-D mediums. This course will build on skills from the Drawing Fundamentals course. Topics include: perspective (2-point) to create space, shading to make objects look three dimensional, how to get proportions correct plus more. Take your drawing to the next level with what you learn in this course. It is suggested to participants to have taken the introductory course or be comfortable with your drawing skills.
Supplies list:
Set of pencils including at least 2H, B, HB, 2B
Artist eraser- kneadable preferred
Sketchbook 9” x 12”, suggested Strathmore 300, or other with at least 50lb paper
Tuesdays, 7 - 9 pm. September 22, 29, October 6, 13, 20, 27. (6 weeks)
To learn more about Moumita and her work, please visit:
https://www.buttonfactoryarts.ca/roychowdhury
Celebrate the vibrant colours of autumn in this relaxing watercolour landscape course. Learn how to paint glowing fall foliage, atmospheric skies, reflective water, and natural textures using simple watercolour techniques. With step-by-step guidance, you'll build confidence in colour mixing, composition, and brushwork while creating beautiful seasonal landscapes.
Supply list:
Watercolour paper (at least 140 lb), 9X12 or smaller. You can use a watercolour sketchbook as well.
Pencils, erasers, 1 round brush (medium), 1 round brush (small) and 1 Flat brush (1.5 inch)
Watercolour paints to include:
A Warm Blue - Ultramarine/Cobalt Blue
A Cool Blue - Pthalo Blue
A Warm Red - Pyrrole/Cadmium Red/Vermillion
A Cool Red - Alizarin Crimson/Opera Pink/Rose Madder
A Warm Yellow - Cadmium Yellow/ Nickel Azo Yellow/Indian Yellow
A cool Yellow - Lemon Yellow/ Hansa Yellow
A neutral - Indigo/Payne's Gray
A White gouache or gel pen for highlights
Good to have - Violet, Teal, Burnt Sienna, masking fluid/friskit
Paper towels
Water containers
Palette for colour mixing
Masking tape
Tuesdays, 7 - 9 pm. September 22, 29, October 6, 20, 27, November 3. (6 weeks)
$153 Members /$180 Non-Members + $15 materials fee
Learn the basics of machine-sewing from loading a bobbin to trouble- shooting a jammed machine! Participants will make a customized tote bag and a bonus project (or two) if time allows. No experience is necessary.
Wednesdays, 1:30 - 3:30 pm. September 23, 30, October 7, 14, 21, 28 (6 weeks)
$153 Members /$180 non-members + $25 Materials Fee (instructor provided)
Please note: Students supply most materials for this course- see Supplies List below description:
Detail and carefully applied pencil and paint are hallmarks of botanical drawing and painting. If you always loved and pondered over those beautiful historical plates of watercolour drawings/paintings, this could be the course for you! In this introductory course, participants will learn about some of the history of botanical illustration and will learn some historical techniques from the French Court period.
Participants will learn how to produce graphite drawings of leaves and a flower using basic image transfer and “sfumato” graphite techniques. We also explore the fundamentals of composition.
We explore the basics of colour theory and how to handle watercolour paints and tools. Participants will produce watercolour paintings of botanicals using primaries and colour mixing and using the graphite drawings as a reference.
They also will learn to describe basic plant structures (morphology).
Don’t worry, it’s an intro course, no tests!
This course is for anyone and no previous drawing or watercolour painting experience is necessary. Templates will be provided for anyone who is more comfortable using them. Basic instruction in drawing will be provided as well as basic instruction in watercolour painting. Join us with an open mind and you will learn a lot! I teach with an emphasis on learning, working at your own level, and silencing the critic so you can feel free to practice.
Supply List: Most supplies are available at Michaels
Pencils: Staedler drawing pencils (2H/HB/2B/4B); you can buy in a set as well
Drawing Paper: Canson Drawing Paper Pad, 9x12”, smooth surface; or Artist’s Loft
Drawing Pad 70 lb 9x12”
Tracing Paper: Canson or Strathmore Tracing Paper Pad, 9x12”
Watercolour Paper: Arches hot press watercolour pad 9x12”, 100% cotton, 140 lbs, 12 sheets (preferred because of the quality and the hot press surface);
or Artists Loft Level 2 watercolour pad 140 lb, 9x12”;
or Canson XL watercolour pad 9x12”, 140 lb.
Palettes: Artist Loft 17-well oval artist palette is recommended as there is sufficient space on the palette to mix paint, or 1 12-well white plastic palette or 2 6- or 8-well palettes;
Brushes: 2 of each size round synthetic or gold sable watercolour brushes in no. 3 size (and if possible 2 no. 4 size); Princeton Aqua Elite synthetic round from Michaels recommended or Cotman brushes; additional brushes will be available for use in class.
Erasers: 1 kneadable eraser (Staedler or Faber Castelli); Staedler Mars plastic eraser
Masking tape: regular masking tape or artist tape
Watercolour Paints (optional): As we will be working with 12 different colours, to save participants the cost of buying 12 tubes of paint, we will provide paints on a palette which you can keep. The cost to each student is $25. If you prefer to buy your own, the list of paints is below and Cotman watercolour paints are highly recommended; small 8 ml tubes are sufficient for individual purchase.
Lemon Yellow Hue, Gamboge Hue, Permanent Rose, Alizarin Crimson, Cerulean Blue, Cobalt Blue, Ultramarine Blue, Intense Pthalo Green, Intense Pthalo Blue, Yellow Ochre, Raw Sienna, Burnt Sienna.
Approx. total is $125
Wednesdays, 6:30 - 9:30 pm. September 23, 30, October 7, 14, 21, 28 (6 weeks)
image credit: Stephanie Pink
$229.50 Members / $270 Non-Members + $15 material fee
To learn more about Akycha and her work, please visit:
https://www.buttonfactoryarts.ca/surette
This 6-week intermediate & advanced ceramics course invites you to set your own goals, bring your ideas, and together we'll figure out how to make them happen. Must have prior experience working with clay.
Wednesdays, 7 - 9 pm. September 23, 30, October 7, 21, 28, November 4, 11 (7 weeks)
$178.50 Members /$210 non-members + $15 materials fee (pattern provided)
Learn how to decipher a commercial sewing pattern. Sizing, cutting, pinning, and marking will be covered in this course. Participants will put their new skills to work to make an apron/work smock. MUST HAVE MACHINE SEWING EXPERIENCE.
Fabric will need to be purchased separately by participants AFTER THE FIRST CLASS. Pattern will be provided.
*This is a skill-building course. Please ensure you are available for all dates. Weekly attendance is required to complete each segment of the course. Absence could result in unfinished projects and an inability to participate in the remainder of the course.
Wednesdays, 7 - 9 pm. September 23, 30, October 7, 14, 21, 28 (6 weeks)
To learn more about Edward and his work, please visit:
https://www.buttonfactoryarts.ca/hanson
Please note: students supply the basic materials for their course. See the materials list below for details
New students learn the basic approaches to soft pastel art and returning students explore more advanced techniques. This combined intro/intermediate course covers soft pastels and related art materials, as well as techniques for students new to the medium and those looking to deepen their current knowledge. Several methods of pastel application will be explored, resulting in the completion of 3 to 4 works of art.
Drawing skill is an asset but not required.
Materials List :
Recommended brands:
A) Pastels (sold in sets or individual sticks)
Medium soft brands
B) Paper
Notes:
Refund/cancellation notes:
Thursdays, 10:30 am - 12:30 pm. September 24, October 1, 8, 15, 22, 29 (6 weeks)
To learn more about Erica and her work, please visit:
https://www.buttonfactoryarts.ca/gosselin
Please note: Students must supply their own materials for this course. Please have a look at the supplies list below the description.
Student-grade acrylic paints (Liquitex Basics, Artist's Loft Level 1, or equivalent):
A variety of synthetic brushes, including:
Thursdays, 1:30 - 3:30 pm. September 24, October 1, 8, 22, 29, November 5. (6 weeks)
$153 Members / $180 Non-Members + $15 materials fee
Thursdays, 1:30 -3:30pm. September 24, October 1, 8, 15, 22, 29 (6 weeks)
$153 Members /$180 non-members + $10 material fee (instructor provided)
Please note: Students supply the basic materials for their course.
see Materials List below description:
Description: For those with some previous experience using Soft Pastel. Explore more advanced techniques including mixed media. This combined course covers the material side of Soft Pastels, related art materials and techniques for students looking to deepen their current knowledge. Pastel artwork is considered a drawing medium but it's versatility allows painterly effects to be developed. Drawing skill is an asset but not required. Several methods of Pastel application will be explored resulting in the completion of 3 to 4 landscape works of art.
Materials List:
Pastel Pencils are useful but a set of Pastel sticks is required
****Please note that the Pastels in this course are NOT Oil Pastels ... Only Soft, Dry Pastels are used in these sessions
Thursdays, 1:30 - 3:30 pm. September 24, October 1, 8, 15, 22, 29 (6 weeks)
In this 6-week course, learn to make various functional and decorative pottery forms using slab, pinch pot, and sculpting techniques. You will also learn about surface decoration- carving, adding elements, and glazing. This course is suitable for beginners as well as those who have previous experience working with clay. You'll be invited to work on guided projects or to make your own clay creations.
Thursdays, 7-9 pm. September 24, October 1, 8, 15, 22, 29 (6 weeks)
Fridays, 7 - 9 pm. September 25, October 2, 9, 16, 23, 30 (6 weeks)
*Please note: Students supply their own materials for this course. See the supply list below for requirements
To learn more about Baz and their work, please visit:
https://www.buttonfactoryarts.ca/kanold
Hands and feet are well-known as some of the most difficult parts of the body to draw, which makes them a perfect feature to focus on for this drawing class! Learn some tips and tricks, basic anatomy and structure, and perspectives to help you draw hands and feet more accurately. These sessions will mostly be from photograph and using your own hands. Please note that this is an intermediate level course. If you’re very new to drawing, we suggest starting with a beginner course to drawing first!
Supply List:
A drawing pad (9 x 12 or similar size, with approx. 24 sheets)
Set of conte (will likely come with white, black, and at least one brown)
A set of drawing pencils (At least four pencils: HB, 3B, 2H, B – the set should read similar to these, but they don’t need to be exactly that)
Kneadable eraser (if possible, but a regular eraser is fine)
Saturdays, 10 am - 12 pm. September 26, October 3, 17, 24, 31, November 7. (6 weeks)
image credit: Peter van Ryn
$153 for members / $180 non-members + $25 materials fee
Having trouble choosing an art medium? This six week course lets you sample a variety of the art forms offered at BFAC. You'll get a chance to work with several of our instructors and try something new each week!
Sept 26 - Soft Pastel with Moumita Roychowdhury
Oct 3 - Gelli Printing with Anne Williamson
Oct 17 - Collage with Erica Gosselin
Oct 24- Felted Card with Peter van Ryn
Oct 31- Watercolour with Robert Achtemichuk
Nov 7- Ceramics with Akycha Surette
*Instructors and mediums subject to change
To learn more about these instructors and their work, please visit:
Moumita Roychowdhury: https://www.buttonfactoryarts.ca/roychowdhury
Anne Williamson: https://www.buttonfactoryarts.ca/williamson
Erica Gosselin: https://www.buttonfactoryarts.ca/gosselin
Peter van Ryn: https://www.buttonfactoryarts.ca/van-ryn
Akycha Surette: https://www.buttonfactoryarts.ca/surette
Saturdays, 10 am - 12 pm. September 26, October 3, 17, 24, 31, November 7. (6 sessions--No class on Thanksgiving weekend)
Our lives are full of many experiences, many stories. Have you ever dreamt of sharing these with others in a memoir?
Join us for our 6 week Memory to Memoir Writing course where we’ll explore how you can turn your personal story into a well crafted memoir. In a safe and supportive environment we’ll look at a variety of topics, ranging from memoir vs autobiography, to navigating sensitive subjects, to the importance of theme, to creating images in writing, and everything in between.
Each week participants will be encouraged to try their hand at small exercises to help them develop their own “writing muscles” and unique style.
Please bring pen, paper, laptop, whatever your preference for writing.
Sundays 10:30 am - 12:30 pm. September 27, October 4, 18, 25, November 1, 8. (6 sessions--No class on Thanksgiving Sunday)
$153 Members / $180 Non-Members + $30 materials
In this fun and relaxed class, you’ll discover the magic of creating one-of-a-kind prints through monoprinting. No previous printmaking experience required. Unlike other printmaking methods aimed to produce multiple identical prints, monoprinting allows for endless experimentation and individuality, reflecting your personal artistic style.
In this 6-session class, we will start with the basics of rolling inks, mark-making, printing onto paper and how to print ghost images. Learn to build texture and depth into your image through use of fabrics and textured objects. Build your image repertoire through stencils, masks and colour gradients. Explore the option of incorporating other media such as pastel, watercolour and water-soluble pencils into your monoprints.
Throughout the class, participants will be using the etching press located at the Button Factory. Parts of a press, how to set the correct pressure, safety / housekeeping and tips for printmaking success will be covered.
Thursdays, 7 - 9 pm. October 1, 8, 15, 22, 29, November 5 (6 weeks)
To learn more about Soroush and his work, please visit:
https://www.buttonfactoryarts.ca/dabiri
In this course students practice the fundamentals of oil painting through a series of exciting and rewarding experiences. The course begins with familiarizing students with the basic materials used in oil painting, such as oil paints, brushes, canvases, palette knives, and palettes. Students learn how to set up a palette, arranging colours logically for easy access during the painting process. Practices start with simple subjects or still life arrangements for beginners. This allows students to focus on foundational skills without the complexity of more intricate subjects. One of the main practices in this course is experimenting the importance of underpainting by sketching and then creating a monochromatic underpainting where students are able to establish values and composition. Preparing the base or underpainting and having knowledge of mediums such as linseed oil or turpentine are essential practices for art students learning oil painting techniques. Following the theory of the complementary colours, students experiment mixing colors on their palettes to understand how different hues can be achieved. Students also practice with a wide-range brushes and techniques to achieve different textures experimenting the variety of brushwork and strokes that can be used in oil painting, from broad strokes to fine details. By Introducing students to famous oil paintings and artists they would encourage to practice on fundamental oil painting techniques, such as blending, layering, glazing, and impasto. At the end of each session students will be asked to conduct regular critiques where they can discuss their work, share insights, and receive constructive feedback, that fosters a collaborative and supportive learning environment.
Supply List
Oil Paints: 37ml tubes of Winton Oil Colour:
Titanium White
Ivory Black
Burnt Sienna
Yellow Ochre
Viridian Hue
Permanent green light
Phthalo Blue
French Ultramarine
Cadmium Red Deep Hue
Cadmium Yellow Pale Hue
Alizarine Crimson / Alizarine Red
Paint brushes:
Flat brushes, #1, 4, 8, and 12.
Palette Cup
Medium:
Linseed oil
Gamsol Odourless Mineral Spirits (NO TURPENTINE PLEASE)
Canvas or Painting Surface:
Stretched Canvas, 11” x 14”
Canva-Paper; an economical alternative to canvas
Rags or Paper Towels: These are essential for wiping brushes, cleaning up spills, and creating texture in the paint.
Palette Sealable Container: Useful for storing and preserving leftover paint for future use.
Brush Cleaner: A gentle brush cleaner is needed for cleaning brushes after painting.
Sketching Materials: Pencils, charcoal, or other sketching materials are useful for planning and sketching out the composition before applying paint.
Fridays, 6 - 9 pm. October 16, 23, 30, November 6. (4 weeks)
Members $153 / Non-Members $180 + $35 materials fee (for 2 pendants or more as time permits)
To learn more about Susan and her work, please visit:
https://www.buttonfactoryarts.ca/clarke
Explore a variety of mixed media techniques as you create one-of-a-kind statement pendants. Discover how to combine and layer beads with embroidery, paint and ink on paper and metal surfaces.
All skill levels are welcome.
Saturdays, 10 am – 12 pm. October 17, 24, 31, November 7, 14, 21. (6 weeks)
Members $153 / Non-Members $180
In this course, we'll journey into nature's Fall beauty as we explore the techniques and nuances of painting with watercolour. Through regular visits to local parks and nature areas, we'll capture our own source images via camera, and then take them back to the studio for inspiration and reference. Through the practices, you'll learn to harness the transformative power of watercolour as we delve into representing the breathtaking landscapes and scenes that surround us. Through a series of hands-on demonstrations and exercises, you'll master essential watercolour techniques and washes, honing your skills with each brushstroke. This course is about more than just experiencing the medium – it's about developing a keen eye and a deeper understanding of colour, light, and shadow. By observing and capturing the subtle gradations of natural light, you'll enhance your sight skills, laying a strong foundation for your journey as a visual artist. Dig into the world of color observation as we explore the darkness, brightness, warmth, and coolness of diverse tonal values found in the ever-changing light of daylight. Through thoughtful analysis and practice, you'll learn to discern and replicate these tonal variations, refining your ability to capture the essence of your surroundings on paper. Join me on this artistic adventure as we blend creativity with the beauty of the natural world. Whether you're a beginner or an experienced artist seeking inspiration, this course offers a unique opportunity to connect with nature and unleash your creativity.
Supplies:
1- Cotman Watercolour set
2- Mixed head type and sizes watercolour paint brush; Flat, round, and fine
3- Watercolour Paper block. About 8 x 10 inches or any similar sizes
4- Small water container
5- Rag or paper towel
6- Small size drawing board
7- Camera for reference shots (phone is fine!)
Mondays, 7 - 9 pm. October 19, 26, November 2, 9, 16, 23, 30, December 2 (8 weeks)
$204 Members /$240 non-members
This oil painting course invites students to explore the depths of their creative expression through a dynamic interplay of form, colour, light, and shadow. Designed for budding artists who wish to connect deeply with the world around them, this course emphasizes the importance of personal interpretation over literal representation. Students will learn to draw inspiration from both natural and handmade objects, using these as a springboard for artistic exploration.
Through a series of guided exercises, students will develop essential skills in observation, composition, and colour harmony. They will engage with various oil painting techniques to enhance their ability to convey mood, emotion, and narrative in their work. This course fosters an environment of experimentation, encouraging students to embrace their unique artistic voices while mastering the fundamentals of oil painting.
Gamsol Odourless Mineral Spirits (NO TURPENTINE)
Mondays, 7 - 9 pm. November 2, 9, 16, 23, 30, December 7 (6 weeks)
Are you an art-maker who wants to create art with a meaning or message behind it? Unsure of where to start or how to effectively get that message across? This class mixes art-making with art theory and art history to help to teach you skills in putting more meaning into your work. Learn more about visual metaphors, materiality, advanced colour theory, and more, to get you feeling more confident about your art and how it will be read by your audience. Please note that this is an intermediate level course. You should have some basic level of art-making experience (in whatever medium of your choice). If you don’t feel confident in your knowledge about things like the principles of design or basic colour theory, consider taking Art Fundamentals (running Mondays from Sept 21 - October 26) before this course!
Supply list - Please read note
Eraser
Pencil Sharpener
Note: This class will be open to people who work in any medium, which means the supply list will be unique to you and will change to the needs of your piece(s). For the sake of ease, we’ll mainly be focusing on 2-D work like painting, drawing, collage, some fibre arts, etc., however folks who work in clay and other 3-D materials are welcome to join to plan pieces, but may not get the chance to use their medium of choice within the class itself.
Tuesdays, 10:30 am - 12:30 pm. November 3, 10, 17, 24, December 1, 8. (6 weeks)
Canadian landscapes are inspiring and have all the components to make painting really fun! Rocks, trees, water and sky! Although this course is described for Intermediate level painters... all levels are welcome. We will be breaking the landscape into components, starting with the sky. Also, we will be mixing our colours from a fairly limited palette and some basic colour theory would be helpful.
Canvas 16" x 20" or larger, and practice paper (canvas paper or canvas board is a good option)
Tuesdays, 1:30 - 3:30 pm. November 3, 10, 17, 24, December 1, 8. (6 weeks)
Watercolour- Beginner
Explore the gratifying process of watercolour in this beginner’s course. Learn to mix colours, use various brush techniques, find out about paper, and through repetition will gain confidence working with this medium. No previous experience is necessary.
Robert's style of instruction is a facilitative approach to art-making with individual support rather than a guided step-by-step directive style. He provides an environment for learning watercolour techniques by combining demonstration, showing relevant sample works, and suggesting choices regarding brushes, techniques etc. Individual support is offered to students during each class so their unique style of creativity can flourish. If you like to learn through the process of observation and experimentation in your art, this is a good class for you. If you prefer guided step-by-step instruction another course will suit your needs better. Please contact us for a recommendation.
Winsor Newton Cotman Sketchers Box 12 colours
Lemon Yellow, Cadmium Yellow, Cadmium Red, Alizarin Crimson, Ultramarine, Cerulean Blue, Viridian Green, Sap Green, Yellow Ochre, Burnt Sienna, Burnt Umber, Chinese White
Watercolor brushes round #12 or #10 and #6, and a flat 3/8" brush are all you will need. Taklon is a good synthetic. Sables are great. All brushes should bounce back to a point or their original shape. Wet them to find out. If they lie flat, not worth the trouble.
A palette (not plastic), ceramic is good, a white dinner plate will work
Paper: pad of cold press Strathmore Watercolour 300 or 400 series or other 140 lb or 300gm hot press wc paper made by Fabriano, Arches, BFK, or Johannot
For clean up and brush control, rags or a sponge are best as a means to control the amount of water in your brush. With a plastic bag for carrying
2 Yogurt containers for water
A fine spray mister (sprayer)
A pencil
A kneadable eraser
$153 Members / $180 Non-Members + $30 materials fee
To learn more about Peter and his work, please visit:
https://www.buttonfactoryarts.ca/van-ryn
Explore the vibrancy and moodiness of a Fall Trail using colourful wool and the needle felting technique. In this class you will create two Fall Trail scenes, one highlighting a bright and dynamic colour scheme and the other with a quieter focus on subdued shades. Throughout this felting journey you will explore scene composition, layering of wool and needle felting techniques. All the required tools and materials will be supplied to you. Demonstration and direct instruction will allow you to create pieces that are ready for framing. No prior experience is required. Experienced artists, artisans and returning students will be able to bring their skill set and experience to this course as well.
All materials provided.
Tuesdays, 7 - 9 pm. November 3, 10, 17, 24, December 1, 8. (6 weeks)
Capture the charm and character of everyday places in this relaxing ink and wash course. Learn to sketch inviting cafés, lush gardens, and vibrant urban scenes using expressive pen work and loose watercolor washes. Suitable for beginners and experienced artists alike, this course focuses on observation, composition, and creating lively, atmospheric sketches.
Waterproof Micron Pens sizes: 0.8 - 1.0mm
Wednesdays, 10:30 am - 12:30 pm. November 4, 11, 18, 25, December 2, 9. (6 weeks)
$153 Members /$180 non-members + $30 materials fee
To learn more about Michael and his work, please visit:
https://www.buttonfactoryarts.ca/rouse
Beauty abounds around us in the natural and human-made landscape and in this course we’ll explore that abundance using brightly coloured wool. We’ll create our landscapes using both needle felting and wet felting techniques. All the required tools and materials will be supplied. Demonstration and direct instruction will allow students to create a felting that is ready for framing or to incorporate in a wall hanging. No prior experience is required. Experienced artists, artisans and returning students will be able to bring their skill set and experience to the scenes as well.
Wednesdays, 1:30 - 3:30 pm. November 4, 11, 18, 25, December 2, 9. (6 weeks)
To learn more about Nancy and her work, please visit:
https://www.buttonfactoryarts.ca/peng
Learn to use transparent watercolour paints to create luminous effects. We will start with traditional landscapes and subjects from nature. Explore layering techniques using resists and mixed media such as ink and watercolour crayons to build a mixed media composition. Suitable for all levels but some basic art knowledge is suggested.
Watercolour Exploration Supply List – Fall 2026
Watercolour Paints:
Start by using brand name "academic" or "student" grade watercolours until you can commit your resources to buying "artist" grade paints. Pre-packaged sets may be more economical. Watercolour tubes are preferred but pans can be used. If you already have watercolour paints, bring them and try them out. You can always add to your supplies later. If you are buying individual paint colours, at a minimum buy one cool blue, one cool red and one clear yellow. Cotman by Winsor Newton is a good quality student brand. Primary blue such as cobalt and/or ultramarine blue, primary red such as permanent rose or alizaren crimson, primary yellow such as aureolin yellow, lemon yellow or cadmium yellow Optional pigments: Indigo, New Gamboge, Sap Green, Burnt Sienna or pick your favourite colours to try.
Watercolour Brushes:
At a minimum you will need one flat and one medium sized round watercolour brush. 1/2”, 1” flat synthetic brushes, the longer bristled brushes are preferred I suggest Size 4, 8, 12 round synthetic watercolour brushes Optional brushes to add later: Rigger brush, size 1 round for fine lines, wash brush for wetting paper
Watercolour Paper :
140 pound cold press watercolour paper is recommended. Strathmore 300 series or other brands are suitable. The high rag content will tolerate scrubbing and washing. Full sheets 22"x30" can be bought and cut as required. For the lessons you will need two pieces of paper roughly 8x10 size (or 1/8 sheet) per class. I use a steel edged ruler for cutting sheets.
Palette:
You need something to mix your paints on. A white plastic plate will work but you will need to wash your paints off after each use. You can buy a round or rectangular palette with lid to transport and reuse your paints. Avoid coloured, paper or Styrofoam plates.
Backboard:
A hard surface waterproof board to place your paper on when painting. This will be propped up on a slight angle. A corrugated plastic core sign board slightly bigger than your paper is light weight and reasonably priced. A plain white colour is best.
Water containers & cleanup :
Bring 2 old margarine tubs or containers to hold clean water. Tissues, paper towels or rags are needed to catch puddles, lift paint and for clean up. I use a medium spray water spray bottle as a tool for applying water to paper. Mine was from Dollarama.
A sketch pad and pencil will be useful for planning your painting and taking notes. You are welcome to bring a camera to take photos of my demos.
Other:
Frisket or masking fluid. Mixed media supplies such as india ink, watercolour crayons, pastels if you have them. I have some supplies to share.
Wednesdays, 6:30 - 9:30 pm. November 4, 11, 18, 25, December 2, 9 (6 weeks)
Wednesdays, 7 - 9 pm. November 4, 11, 18, 25, December 2, 9. (6 weeks)
$153 Members / $180 non-members + $10 material fee (instructor provided)
*Quality Soft Pastels and Textured pastel surfaces are available at Wyndham Art Supply in Guelph or online. If you own any artist grade dry (soft) Pastels they will be appropriate for use.
Thursdays, 10:30 am - 12:30 pm. November 5, 12, 19, 26, December 3, 10. (6 weeks)
Explore the expressive possibilities of acrylic painting combined with collage and mixed media in this layered, process-based course. Each week, students will learn a new technique — such as building texture, using collage imagery, stamping patterns, glazing, and storytelling through layered materials — first practicing on a small canvas board before applying the technique to a larger personal painting. Over the course of the program, each participant will gradually build a richly layered artwork that reflects their own creative voice, imagery, and themes. No previous mixed media experience is required.
1 large stretched canvas – 16" x 20” minimum (18" x 24" or similar larger size also suitable)
6 canvas boards – 8" x 10" or 9" x 12"
Student-grade acrylic paints (recommended: Liquitex Basics, Artist’s Loft Level 1, or similar) Suggested colours:
Variety pack including:
1 large flat brush
1 medium flat brush
1–2 round brushes
1 smaller detail brush
Optional: inexpensive wide brush for glazes / collage medium application
Adhesives / Mediums:
Mod Podge (matte recommended; gloss optional)
Matte medium and/or gloss medium for acrylic glazing and collage integration (If budget is limited, Mod Podge + one acrylic medium is enough)
Reusable plastic palette or palette paper pad
Water container (can be repurposed container)
Palette knife
Spray bottle
Charcoal or soft pencil for light sketching
Painter’s tape / masking tape
Clear gesso (optional if you want more advanced surface prep)
Thursdays, 1:30 - 3:30 pm. November 5, 12, 19, 26, December 3, 10 (6 weeks)
Thursdays, 1:30 - 3:30pm. November 5, 12, 19, 26, December 3, 10. (6 weeks)
Please note: Students supply the basic materials for their course. See Supplies List below description:
New students learn the basic approaches to Soft Pastel Art and returning students explore more advance techniques. This combined intro/intermediate course covers the material side of Soft Pastels, related art materials and techniques for students new to the medium and those looking to deepen their current knowledge. Pastel artwork is considered a drawing medium but it's versatility allows painterly effects to be developed. Drawing skill is an asset but not required. Several methods of Pastel application will be explored resulting in the completion of 3 to 4 landscape works of art.
Recommended Brands: sold in sets or individual sticks:
Textured pastel paper is required.
Thursdays, 7 - 9 pm. November 5, 12, 19, 26, December 3, 10 (6 weeks)
Fridays, 7 - 9 pm. November 6, 13, 20, 27, December 4, 11 (6 weeks)
*Please note: Students supply their owm materials for this course. See the supply list below for requirements.
If you’ve ever wanted to try your hand at an age-old practice of drawing portraiture, this course is the perfect choice for you. Over six weeks, we will be learning how to simplify and understand the human face, as well as practicing tips to make your portraits stand out. While this class will have an emphasis on self-portraiture and working from life, we will also have chances to work from photograph. Whether you want to learn realism, or develop your own style, this class will nurture your creativity and have you creating portraits you love. This class is beginner friendly!
A drawing pad (9x12 or similar size, with approx. 24 sheets)
Pencil sharpener
Mondays 7 - 9 pm. November 9, 16, 23, 30, December 7, 14. (6 weeks)
To learn more about Karl and his work, please visit: https://www.buttonfactoryarts.ca/griffiths-fulton
Over six weeks this course will develop your abilities at storytelling, from a self-initiated concept to your final project. We will look at technical elements, such as lighting, composition of not just a single image but the story as a whole and exposure, as well as non-photographic factors that build a successful narrative. This will include topics such as social interpretation/communication of your subject and photographer/subject relationships. An in-class presentation, with a brief introduction, will be given by each student on the final evening.
Required:
You may use your own digital camera and other equipment or a smart phone, whatever you think you will need to successfully generate quality images and execute your ideas.
Please also bring: Thumb drive, Sketchbook/Journal
Tuesdays, 7 - 9 pm. November 10, 17, 24, December 1, 8, 15. (6 weeks)
Thursdays, 7 - 9 pm. November 12, 19, 26, December 3, 10, 17 (6 weeks)
Elevate your oil painting skills to new heights in our Intermediate Level Course, where we'll delve into mastering the technique of creating texture through analyzing a source image and the layering process.
In this immersive journey into the world of oil painting, you will explore the intricacies of analyzing source images, establishing a harmonious palette, and mastering the art of layering. Guided by an experienced instructor, you'll learn how to transform your visions into stunning works of art, infused with depth, dimension, and vibrant color.
Throughout the course, you'll explore the transformative power of layering, discovering how to apply multiple layers of oil paint to create dynamic compositions that captivate the imagination. From subtle shifts in tone and texture to bold contrasts of light and shadow, you'll learn how to breathe life into your artwork with each carefully crafted layer.
But mastering oil painting isn't just about technique – it's about understanding the nuances of color mixing and composition, and how to use them to convey emotion and narrative in your work. Through a series of hands-on exercises and demonstrations, you'll gain the confidence to experiment with color and form, pushing the boundaries of your creativity with each stroke of the brush.
Whether you're a seasoned artist looking to refine your skills or a passionate learner eager to take your art to the next level, this course offers something for everyone. Join me and unlock the secrets of oil painting mastery, as you discover the joy of bringing your artistic visions to life on canvas.
Odourless Mineral Spirits (NO TURPENTINE)
Saturdays, 10 am - 12 pm. November 14, 21, 28, December 5, 12, 19. (6 weeks)
Saturdays, 10 am - 12 pm. November 14, 21, 28, December 5, 12. (5 weeks)
image credit: Erica Gosselin
$127.50 for members / $150 non-members + $25 materials fee
Want to explore art with a range of media? We have it all in this special class: drawing, beading, painting, felt craft and pottery- try your hand at everything and see what ignites your passion!
Nov 14 - Conte Drawing with Baz Kanold
Nov 21 - Felted Ball & Acorn Top Ornaments with Michael Rouse
Nov 28 - Ceramics with Akycha Surette
Dec 5 - Intuitive Painting with Erica Gosselin
Dec 12 - Beaded Jewelry with Anne Williamson
Michael Rouse: https://www.buttonfactoryarts.ca/rouse
Baz Kanold: https://www.buttonfactoryarts.ca/kanold
Wednesdays 7-9 pm. November 18, 25, December 2, 9, 16 (5 weeks)
$127.50 Members / $150 Non-Members + $15 materials fee
Learn the next steps in sewing; making buttonholes and inserting zippers! Participants will learn these skills by creating a small, zippered messenger bag. MUST HAVE MACHINE SEWING EXPERIENCE.
Fridays, 6 - 9 pm. November 20, 27, December 4, 11. (4 weeks)
Members $153 / Non-Members $180 +$ 40 Materials fee
Jewelry Making Inspired by Famous Artists
Learn basic jewelry-making and explore a variety of mixed media techniques, while creating jewelry inspired by famous artists - Vincent van Gogh, Georgia O'Keeffe, Pablo Picasso, Emily Carr. All skill levels are welcome.
Week 2: Georgia O'Keeffe * Called the Mother of American modernism, she gained international recognition for her paintings of natural forms. * Paint a pair of Lucite flower earrings using Alcohol Ink inspired by her floral themed paintings. Week 3: Pablo Picasso * A Spanish painter, sculptor, printmaker, and ceramicist, was one of the most influential artists of the 20th century. * Make a wire sculpted cuff bracelet inspired by his Cubism period. Week 4: Emily Carr * A Canadian painter especially interested in the Pacific Northwest. * Create a necklace incorporating natural materials and colours inspired by her painting, "Forest, British Columbia".
IVISIT the BUTTON FACTORY ARTS HOMEPAGE
LOCATION: 25 Regina Street South
Waterloo ON N2L1R8
Monday - Friday: 10 am - 7 pm
Saturday - Sunday: 10 am - 5 pm
CONTACT US:
519-886-4577
Membership and rentals:
operations@buttonfactoryarts.ca
Program inquiries:
programs@buttonfactoryarts.ca
